The films usually involve road trips, obstacle-ridden sojourns over state lines and/or to the closest Planned Parenthood-one of the only places to reliably and affordably receive reproductive health care, from accurate examinations to contraception and abortions, without hassle. make it almost impossible to receive reproductive health care, particularly for teenagers whose rights are generally ceded to their parents. These films, generally speaking, reckon with the structural as well as the personal-how certain states in the U.S. We’re in a different time now, where more films are getting made about teenagers and adult women who decide not to carry unplanned pregnancies to term. But mostly Juno is focused on the interpersonal dynamics between the girl and the future parents of the baby she gives birth to. The rest of the movie doesn’t exactly make light of teen pregnancy’s circumstances, nor of the difficulty of giving up a baby you have carried to term. Her words, though, have an effect on Juno ( Elliot Page) it turns out that she can’t stand to be inside the clinic and bolts, deciding to have her child and give it up for adoption. You wouldn’t know that from Juno: In Jason Reitman’s Oscar-nominated 2007 film, the title character waltzes into her local Planned Parenthood after passing one teenage protester, a nerdy anti-abortion fanatic. In the U.S., young women who want to terminate their pregnancies-or even use emergency contraception–often must first go through some measure of logistical and emotional difficulty.
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